Can’t even hardly remember how to operate my camera, let alone blog, but it’s time to get back on the bicycle.
Why don’t we catch up with the last official client shoot I did before we were confined to barracks again?
No great philosophical message here, just ‘it’s gonna be great to get outdoors again’, and enjoy the pix.
A family photo shoot always starts with the same conversation. We’re not photogenic. We hate having pictures taken. Dad is very self-conscious. Etc. Etc.
So let me reassure you - we’re going for a walk. Nothing more, nothing less. We will chat and the kids will play. And whilst all this is happening, the photographs will magically appear without anybody realising it.
On this occasion, RHS Harlow Carr was enormously helpful, with her abundant colour and endless choice of routes. The Japanese Acers were in the full flush of vibrancy, and the family had helpfully coordinated their garments to match. Not much room for black and white here.
Siblings, instead of offering hesitancy or shyness, were in full energetic and rivalry mode. All good for me.
Three can be the magic number. And sometimes not. The trick is patience, and finding a location that offers so many opportunities that the kids’ interest is retained, and no-one feels they have to out-do the others for the best shot.
I don’t think mums and dads usually anticipate that this occasion will have anything to do with their own relationship. It’s about the kids and, at a push, the family unit. But this is a story which began with a romance, so why not capture that too? It is, after all, the linch pin here.
Carry, walk, piggy-back, sit on a bench, pick up a stick, straddle a fence, hunt for pine cones, run, climb a tree, or just talk. As long as it’s natural, I can capture it.
November has been wet, so getting out and about last weekend (for the first time in a while) was fun and refreshing. There is still time to squeeze in an autumn/winter shoot this year, so get in touch - they make great Xmas presents.
As always, 2018 was a year of select weddings.
I don’t do many, but actually it rather suits me to keep a nervous edge. I still feel the need to prep every single wedding and I also reserve the right to lose sleep the night before. It’s just who I am.
We all care deeply about our clients, of course, but my need to balance family life with a brood of 6 kids ranging from 6 to 30 means that keeping the numbers low is partly essential, but also allows me the capacity to work with the luxury of time and attention, and to never lose the thrill.
Here’s a round-up.
This is the most popular time of year for family photo shoots. It’s the perfect setting, all that leafy colour, and the perfect timing to create something worthy of Grandma’s festive stocking.
It’s also my favourite time of year for Mini Shoots with kids. Helpful for me because I can fit several shoots in to one day, and helpful for the families who only have to afford the £99 shoot cost in order to have the raw material for some awesome Christmas presents. It’s also only half an hour to hold your breath and hope the kids behave in front of the nice lady with the camera.
E arrived on a pastel pink and blue scooter. I didn’t get the memo, but she decided to let me be her friend anyway. Gorgeous AND forgiving.
Harrogate’s Valley Gardens was our meeting place, and its multitudinous nooks and crannies provided us with lots of opportunities to mix it up.
When the low autumn sun refuses to play ball, and the late afternoon throws you only dingy shade, the mood of a shoot changes. No bad thing, though.
Frankly, E and I had a rather lovely time hiding in dark corners and exploring the park whilst mum and dad looked on.
Choose a photographer who is comfortable and experienced with children. A mini shoot rarely lasts more than 20-30 minutes, and as such there is little time to waste on acclimatising or gently growing a child’s comfort in front of the lens.
My 30 minute Mini Shoots are available now and include 5 free high resolution digital images and a half-size online password-protected gallery.
Contact me at eyesomephoto@gmail.com or on 07957627217
Denton Hall is a 2500 acre estate in the beautiful Wharfedale countryside near Ilkley, North Yorkshire. I was chuffed to be invited to capture some images to represent both the epic-ness of this place as a potential wedding venue, as well as the work of a number of local wedding suppliers who were gathering for a day of nuptial creativity.
The first of these clever peeps was hair and make-up stylist Chrys, whose transformation skills are legendary, and who carefully and lovingly embellished the already-exquisite face and hair of model bride, Christy.
Wedding details come in many forms. In this case, many of the artistic accompaniments were created and curated by Natalie, a local wedding stylist who showed her flourish with this set of delicate stationery and table settings, as well as a fabulously charming ladder altar. See more of Natalie’s work on Instagram at HandMaid.
A short photographer’s ‘reccy’ stroll around the immediate surroundings of the Denton Hall estate presented a number of appealing spots for photographic opportunities; none more eyesome (see what I did there?!) than the frontage itself. I’m a sucker for symmetry, so I was practically cock-a-hoop when I saw the proportions of those great stone columns on offer.
“What are those CAKES?” I hear you cry. Pretty huh? All crafted by the uber-talented Gayle from Where The Ribbon Ends. Check out her mad, mouth-watering creations and fabulous handiwork, you won’t regret it.
Our groom was suited and booted by the trendiest menswear store in the Dales, Jenson Samuel of Skipton. Modern, mix and match check suits with beautiful details and complementing waistcoats/accessories, spoiling groom George for choice.
The elegant autumnal florals were all created and designed by Leeds-based wedding planner Gillian from Planned with Gill.
Amongst some of Denton’s lush features is a pretty, winding staircase - a florist’s dream for embellishing. It’s customary during Denton Hall weddings to host the cake cutting ceremony underneath the staircase, and guests have been known to gather up, over and around, in order to observe and throw confetti. Epic.
The epitome of elegance, this beautiful crossover lace-and-bead gown is from Rachel Allan Bridal’s Lo’Adoro range. Fitted to the hips, it then spills down into a soft tulle full length skirt with a lush train.
One of Denton’s most elegant features is the enormous stone carved fireplace, in front of which the team set out the table with all its settings. Burgundy, green and orange were the perfect tones to usher in an early autumn, complementing Natalie’s hand-crafted menus and name cards to a tee.
The delicate rose gold jewellery pieces worn by Christy were all created and provided by So Belle Jewellery of Skipton. Stunning.
If you haven’t found your photographer yet, 2019 and 2020 wedding dates are still available. Contact Helen at eyesomephoto@gmail.com or on 07957627217. Tell me a little about your big day and we can go from there.
The brides that come to me for wedding photography tend to be chilled. Their wedding-day-in-planning is destined to be relaxed and intimate. It will be a day without pomp, but chock-full of celebration and love.
No expense will be spared on the important items - an exquisite bridal gown, fabulous food and a half decent photographer, but neither will money be thrown out of the window like the proverbial baby with the bathwater. When it comes to the florals, my girls, being both classy and romantic, opt for understated and generally petite bouquets which enhance but do not overpower their look.
In many cases I've noticed that my brides have chosen a single colour for their flowers, often just cream or white, and have added herbs and foliage to strengthen the design. Often it is the waft of these herby additions which out-plays the perfume of the flowers themselves. The bouquet above belonged to Frankie, whose bohemian Italian themed nuptials with Richard were inspired by the couples' engagement in Sicily.
Elegance and romance appear to be the consistent watch-word, however. I have rarely had a bride who has thrown investment at great swathes of rose pergolas, or festooned the altar with six foot standing floral displays. They have selectively added their splashes of scent and colour in a discreet and well thought out manner, in order to optimise their impact whilst saving the bigger bucks for the real show stopping items.
A pink posy accompanied its owner, Tala, her hubby and their three children at their relaxed and gloriously summery, tiny family wedding. The occasion was less about big statements of ostentation, and more about the affirmation of their togetherness. The roses came along for the joy ride.
The gents are never forgotten. These gloriously cute daffodil buttonholes which featured in the recent Easter wedding of Charlotte & Simon summed up the time of year perfectly. Little sprigs of rosemary and string ties added a rustic touch.
So when you're planning your big day, remember that size isn't everything. Spend it, but spend it well. The carefully curated selection of blooms you hold in your hands on the day you meet your man at the altar will most likely remain special in your heart for many years to come. Make sure you have them photographed.
I have photographed quite a few couples now, often in wedding attire and high on life and love. What fascinates me most, however, is the first ten minutes of the shoot. Without exception, both parties are feeling self-conscious, looking awkward and generally asking 'what do you want me to do with my hands?'
To be fair, that's a great question. There's nothing worse than a dangly arm or spatula fingers, yet a couple who are thrust in front of the lens for the first time often suddenly lose the ability to snuggle, or even walk. Exit gorgeously relaxed couple, enter Pinnochio and friend.
I find that couples who are attracted to my photographs are looking for (and I quote) 'natural shots'. They want their images to reflect the beauty of their romance but they don't want to be 'posed' or have to gaze into each others' eyes in front of 200 wedding guests and the passing postman.
Let me tell you a story - it relates to my own wedding day and, rather embarrassingly, the making of the very mistake I am now advising against. It was a very informal wedding and even more embarrassingly, it was not my first. (I should emphasise that the shame relates NOT to the fact that I've been married more than once, but to the multiple opportunities I have had to get wedding photos wrong). Our reception party and back garden were littered with close family and friends, where folk mingled and kids played. I asked our photographer for 'natural stuff'. Candid shots of the fun, the chatter, the love, and the sunshine, please. Ask and ye shall receive. All very sound until I received the digital files and realised that my husband and I had spent the entire day separately - wandering, networking and satisfying our guests, resulting in not a single photograph of the two of us together. D'oh.
I can also tell you that (sshh, it's a secret), if you come to me for couple, engagement or wedding photos then you WILL be posed. You WILL be directed and I WILL ask you to gaze occasionally. Creating romantic, organic images of love takes work and orchestration. If I were to pass the buck and leave you to it, we would probably end up with a hot mess of awkward stances and grooms holding brides in half-Nelson headlocks.
I rest my case.... (click on the photo for a full dose of these fabulous deliberately awkward engagement pics)
So, think again as you browse those Pinterest boards filled with elegant, atmospheric, love-filled couplegraphs. It is highly unlikely that they were achieved by a photographer who was lucky enough to be recruited by a couple so confident and skilled in front of the camera that they were able to drug, take a day off and let them loose with a command of "just smoulder for me".
Once the lens cap comes off and the moment arrives, my advice is simple - take a few deep breaths, look your baby deeply in the eyes, remember how you love him/her, pull them close and follow your photographer's lead. If you got this far because you are a fan of their work, the chances are you are already in very safe hands. Embrace your SAUDADE!
Engagement and couple shoots can be booked independently, or as part of a wedding package. We can shoot pretty much anywhere, but I highly recommend reconnecting with a place that has special meaning for you; it will make all the difference.
Please get in touch by phone, via email at eyesomephoto@gmail.com or via my social media pages.
Helen x
If you're into alternative and atmospheric wedding imagery, then this one is for you.
Last week was my birthday. Some people might treat themselves to a new frock on such an occasion, or a pair of shoes. I took a slightly alternative route and spent my birthday money on a full day's photo shoot with Photography Farm. This is my personal idea of fun. Me time. Utter selfishness. A day with myself, my camera and a delightful bunch of strangers in the inner city of Sheffield.
Our venue was a the Abbeydale Picture House, 100 year old semi-derelict cinema. Magnificent in its shabby condition, the peeling walls were nothing if not an asset for the photographer's eye. We were spoiled by the addition of two professional (and totally sublime) bridal models from J'Adore Models and the experienced and thoughtful styling of Erica at Mr & Mrs Unique.
Once I had overcome my fear of the dark (not, you understand, because I believe in ghosts, but because I know that to make photographs one requires light), and explored a bit, it became evident that the old picture palace (venue organised by Inner City Weddings and which is, incidentally, available for hire for weddings) was littered with pockets of natural light, eeking in to the building through tiny cracks and pores, and little port-hole windows. Perfection.
The shafts of light which pierced the darkness provided just enough drama to prove that you can make a beautiful bridal portrait just about anywhere. In the case of the image below this happened to be on an ill-lit, crumbling stairwell with wonky steps and splintered windows. The ancient walls retained just enough paint to add urban interest, complementing the softness of the incredible bridal gowns provided by the fabulous E&W Couture and Bowen Dryden.
The faces of the two beauties in frocks were both naturally magnificent, but were enhanced by the skills of professional Make Up Artist, Jenn Edwards. Further details and embellishments were contributed by Campbells Flowers of Sheffield, Halo & Co (jewellery), and Faber Novella (shoes).
It was our privilege to be led by four aspirational pros for this romp in self-indulgence. It was as fascinating to watch and talk with them as it was to snap away in this masterpiece of a venue, so thanks indeed for the patience and tolerance of the following:-
Lisa Devlin, Jo from Enchanted Brides, Lee Allen and Lisa Jane.
If you are interested in my wedding photography, please get in touch via email or my social media, or by using the contact form.